A ‘Blackout’ at the Kennedy Center unites Black dancers from historically white ballet companies
Andscape
Photo Credit: Michael A. McCoy
A Study of the Body: Jerron Herman reinvents a classical form at Abrons Arts Center
The Brooklyn Rail, June 2022
Photo credit: Maria Baranova
Kyle Marshall in Conversation: With an upcoming show at the new Chelsea Factory, Marshall aims to uplift.
The Brooklyn Rail, April 2022
Photo Credit: Pauline St. Denis
Light, Color, Joy: Mark Morris Dance Group returns to BAM with ‘L'Allegro’
Fjord Review
Photo credit: Stephanie Berger
‘Lizzo’s Watch Out for the Big Grrrls’ aims to change the dance world’s emphasis on thin performers
Andscape
Photo Credit: Brooke James
L-E-V’s ‘Chapter 3: The Brutal Journey of the Heart’ Leaves All the Feeling Onstage
Fjord Review
Photo Credit: Stefan Dotter for Dior
Kyle Abraham Centers on Black Love and the Music of D’Angelo
The Undefeated
Photo Credit: Carrie Schneider
Shura Baryshnikov on ‘Svadba’: a New Cinematic Opera She Directed
Dance Magazine
Still from film courtesy of Boston Lyric Opera.
Regeneration: Justin Peck's premiere, ‘Partita’ for New York City Ballet
Fjord Review
Photo Credit: Erin Baiano
How To Commune: Reggie Wilson reimagines a Black Shaker history in ‘POWER’ at BAM.
The Brooklyn Rail, February 2022
Photo credit: Tony Turner
‘Interglacial’ Captures an Interval of Uncertainty with Real-Time Sculpture
Fjord Review
Photo Credit: Whitney Browne
Joy, Perseverance, and Power: Martha Graham Dance Company at 96
Fjord Review
Photo Credit: Melissa Sherwood
Back to ‘DANCE’: Re-staging a Lucinda Childs Dance Company Classic
Fjord Review
Photo Credit: Sally Cohn
The Beach-as-Stage: Moriah Evans’s ‘REPOSE’ Demands Your Attention
The Brooklyn Rail, September 2021
Photo credit: Maria Baranova
Shamel Pitts Explores Vulnerability in a Boxing Ring
Dance Magazine, July 2020 issue
Photo credit: Alex Apt